
lesions
Originally uploaded by kawaface
I’ve been trying to catch up on YA novels so I can make recommendations to my students, many of whom are boys. As we approach fall break, these books are starting to run together in my mind. I just had a student read, and like, Uglies by Scott Westerfeld, even though it ends with a bit of a cliffhanger and the other two books in the trilogy are on order for us. He was okay with waiting. He felt he knew where the plot was inevitably headed. He thought Tally would remember who she was after she had the Pretty surgery, and David and his mom would go back and kick butt. (Neither of us has read the next two books). “But what about the brain modification?” I asked. “What about the lesions?”
I next suggested M.T. Anderson’s Feed, which I had liked a few years ago, and he agreed to check it out. It had been a couple of years since I read it, and I did remember that it had some bad language, which I pointed out, and said I hoped his parents wouldn’t be upset. Slow senior brain, two minutes later, remembered more about Feed. I was headed to the cafeteria when I met this student in the hall again. “Matt!” I exclaimed. “there are lesions in this book, too!”
He grinned. “Why are there always lesions?”
In the world of science fiction being published for teens these days, there are lesions in our future, among other medical unpleasantness. In Feed and Uglies, lesions are a side effect of psychosurgery performed to keep people compliant and happy. In Feed, it’s a little internet computer right in your brain. House of the Scorpion has the brain mods but no lesions, only horrendous acne from a diet of plankton. Does this plot element address some common teenage fear of becoming an ordinary drone, of living a life of quiet desperation? Does it speak of a need to fight for one’s individuality and self-determination? Didn’t Catcher in the Rye cover this ground without the medical issues? Isn’t there some other plot device that could carry out this theme?
The 21st century teen dystopia may have started with The Giver. Society’s problems can only be solved if the general public is kept clueless. Then the real cost of this anesthetized utopia is discovered by one person, who tries to escape/tries to stop the madness/resigns himself to his fate.
Then there is the organ harvesting. I would have been horrified that the clone Matt in House of the Scorpion was created for the purpose of providing organs for the 140-year-old El Patron if I hadn’t already read Kazuo Ishiguro’s Never Let Me Go. Ah. I see. Life in the future will be extended by organ donation, voluntary or otherwise. The urban legend about the man who is kidnapped and wakes up in a hotel room with a kidney missing will come true.
I don’t even want to get into the chicklit. There’s always a new girl at school, who’s a bit of a misfit…a country bumpkin, a brainiac, a Luddite, a traumatized soul. Speak, Stargirl, Feed, and this latest Meg Cabot fluff I made myself read. There’s a gaggle of really mean girls who make her life miserable, and there’s some huge misunderstanding, but eventually goodness and light will prevail. In The Lovely Bones, the character is misunderstood, traumatized…and dead. And so it goes.
I actually liked all these books, for different reasons–well, except the Cabot. House of the Scorpion also brings in a bit of environmental consciousness we’re beginning to see in these books, the logical conclusions that might be drawn about the future if we continue to trash the present. I like that. I’m happy that ecology is sexy again after the greed and materialism of the 80s and 90s.
Cameron Diaz said that in Hollywood there are only 14 different scripts, and the 15th was Being John Malkovich. So, too, it would appear, is YA fiction.
My students and I are looking for that 15th script.